Norman Rockwell, The Artist Of Delight
I came across his works in the "Saturday
Evening Post" in the early fifties.
I was eleven. He was one special reason to visit my cousin Kok Lum (also
eleven). Kok Lum had a good collection of SEPs from his planter's uncle. Norman
Rockwell was a regular feature in this interesting magazine. I love looking at
his paintings. Still do.
His people are lovable. Young or old. Male or female. Rich
or poor. Black or white or brown. Norman Rockwell places his people in
situations that are engaging/surprising/amusing/ charming/funny/captivating. Always a tug at the heart-string. Always a fresh perspective.
His observation of the human character is keen. His
selection of personality types, dressing, props and situations are masterful
story-telling. I come away from his works with a special feeling. An awakened
awareness of innocence and decency. An appreciation of beauty and sweetness and
charm. That is remarkable. This is in stark contrast to works that are dark/rude/cynical/angry/bitter/violent
/pornographic.
/pornographic.
But is Norman Rockwell an ARTIST?
Is he an artist to me?
Yes. A definite yes. He stimulates my feelings. My thoughts take different
directions. My outlook on relationships considers more divergence. I have
a renewed sense of persuing my own development in the things that interest me.
Yes. A definite yes. He stimulates my feelings. My thoughts take different
directions. My outlook on relationships considers more divergence. I have
a renewed sense of persuing my own development in the things that interest me.
Norman Rockwell works from photographs from staged shots of
models. His selection of models show a deep sense of understanding specialness
and originality.
From this base of observed values he composes and crafts the Norman Rockwell treatment.
From this base of observed values he composes and crafts the Norman Rockwell treatment.
There was never an artist before him with this
unique blend of treatment.
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